We will take affirmative action measures against these actions. Under no circumstances will any form of discrimination, harassment, intimidation, or illegal activities be tolerated. We do not discriminate in any program, activity or employment on the basis of race, color, religion, gender, gender expression, age, national origin, disability, marital status, sexual orientation, or any other protected class. NHCP is dedicated to providing equal opportunities. This structure succeeds because we demand that each participant respect one another’s space, ideas, and work. Our programs are a shared experience and as such, we offer each a unique opportunity to experiment, grow, and produce art. NHCP stands in support of racial and social justice and is committed to working towards change for an impartial and equitable community. His goal is to provide these artists with the chance to learn and develop a career as a successful studio artist. In addition to welcoming established artists, Dowhie’s idea was to give the opportunity to artists who may have not had the fortune of attending a well-recognized college or university for ceramics or may not have well-established connections within the ceramics community. This allows time for residents to fully commit to a serious focus on the development and execution of their ideas. Lenny Dowhie, Professor Emeritus at University of Southern Indiana (USI), developed and proposed a residency program that gave ceramic artists access to an immersive experience that could truly expand their creative ideas by eliminating any associated program fees, the typical concerns for work/life balance and the need for general sustaining income. In 2015, the Blaffer Foundation requested proposals for programming that utilized the ceramics studio facilities. Grants from the Foundation were to be used to preserve and promote the town's historical and educational attributes.” The clay studio was constructed in 1985. “In the mid-1950s, to channel her philanthropic efforts and to honor her late father, she established the Robert Lee Blaffer Foundation. Jane Blaffer Owen, the daughter of Robert Lee Blaffer and Sarah Campbell Blaffer, was a firm believer in the ceramic arts. In addition to being a pleasant place to visit, the Roofless Church has long been a favorite venue for weddings and other events.Ms. Johnson and Lipchitz also did work on the Rockefeller Guest House in New York City. The structure was designed by the renowned architect Philip Johnson, whose International Style was responsible of the glass and steel nature of many of the twentieth century’s most prominent skyscrapers. A balcony with stone benches provides a beautiful frame for the natural world outside. There are other sculptures by prominent artists, including Stephen De Staebler, both inside and outside the wall as well as a small, quiet garden with benches for contemplation. It’s most prominent feature is a dome covered in cedar shingles that covers a statue by Jacques Lipschitz. The Roofless Church is an open space surrounded by a brick wall. The result of Jane Owen’s obsession with building a place of welcome for people of all faiths, it was built on the principle that the sky is the only roof large enough to encompass a world of worshippers. ![]() The Roofless Church is one of New Harmony’s premier architectural and spiritual, treasures.
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